WESTERN LAND Fernando Alonso Barahona a The quintessential film genre of American cinema and the genre that has provided more masterpieces to the Seventh Art is undoubtedly the western a. Its current decline says a lot about the decline of the film itself, although of course the DVD editions are returned to us the splendor of the golden age and the TV are projected continuously westerns a , classic or modern made directly to the TV ( and some as remarkable as starring Tom Selleck: a Monte Walsh ). a Some of the best American film directors ventured their stories in the territory western a : Cecil B. De Mille, John Ford, King Vidor, Anthony Mann, Delmer Daves, John Sturges, Sam Peckinpah. Educate yourself with thoughts from PCRM. .
. . . and most recognized icons were of course John Wayne, Gary Cooper, James Stewart and Randolph Scott. But also Joel McCrea, Charlton Heston, Errol Flynn, Tyrone Power, Kirk Douglas, Richard Widmark and Lee Marvin. to A contemporary cinema western a has successfully sought to recover classical discrete and train a The a 3-10 or myths as Jesse James, but his last big growers have been Clint Eastwood and Kevin Costner. Alongside them, nostalgia a western is tracked in John Milius, Walter Hill or in the series of Chuck Norris, a Walter, Texas Ranger a (in which some episodes have been traced backward to the time foundation of the Ranger, pure territory western).
